Selena Kimball

No one came to meet me, 2011-2013
This work is inspired by a series of National Geographic articles written between 1924 and 1935 by the ethnographer, botanist and photographer Joseph Francis Rock. "No one came to meet me" was a driving anxiety for Rock as he made his way across the borderlands of Tibet and China — hoping to be mistaken for a foreign prince, he made sure his entourage carried him into any new village or town. His documentation of tribes, local Buddhist rituals and a foreign landscape of snow-spiked peaks, high plateaus and wide rivers stimulated the Western imagination and is said to have inspired James Hilton's "Lost Horizon" — ultimately spawning the modern myth of Shangri-La.
I first encountered Rock when I stumbled across a stack of his National Geographic articles at my parents' house over a decade ago. It turned out they had been collecting them. My parents are part of the first generation of Western Tibetan Buddhist practitioners — their teacher grew up in Kham, one of the regions Rock documented. Reading those articles for the first time I felt that peculiar mix of fascination and nausea that comes with seeing something personal transmogrified into an object seen through another's lens. Using Rock's photographs from 1924/25 as a starting place, these hybrid collages and prints draw on the ethnographic catalogue to postulate a series of new "objects" of encounter.
see also Within the Faint Positive
Shangri-La, Digital Silkscreen on Dibond, 9 x 11 feet, 2012


Untitled (Nat Geo 1924/25 with reflected mountains), digital silkscreenon on dibond, 17.13” x 12.5", 2013
Untitled (Nat Geo 1924/25 with tent), digital silkscreen on dibond (edition of one + artist’s proof), shelf, 28.55" x 20.75"

No One Came to Meet Me, install view, Wolfstaedter Gallery, Frankfurt, Germany, 2013

Untitled (Nat Geo 1924/25 with bridge), digital silkscreen on dibond (edition of one + artist’s proof), shelf, 24.77" x 18", 2012

Untitled (Nat Geo 1924/25 with river), digital silkscreen on dibond, 21.57" x 24.25", 2012

Untitled (Nat Geo 1924/25 with rocky shoreline), digital silkscreen ondibond (edition of one + artist’s proof), 25.13" x 22"

Untitled (Nat Geo 1924/25 with branches), digital silkscreen on dibond (edition of one + artist’s proof), shelf, 33.15" x 24.25", 2013

Shangri-La, installed as a storefront window at Gridspace, Brooklyn NY, 2012