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Untitled Times, sec. 06 (dome),  newspaper and PVA glue, 28 x 34 inches

Untitled Times, sec. 09 (stairs), newspaper and PVA glue, 24 x 22 inches

Untitled Times  2016–2023

 

For seven years I cut into the daily news and images of The New York Times, collaging the physical fragments into a single continuous scroll, 252 inches long. The Times is a "newspaper of record," kept for future historians. Here it becomes both source material and readymade: a document whose claim to objectivity is itself the subject.

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Using photomontage to playfully redress the conventions of landscape and history painting, the scroll follows the associative threads of history that run through the United States. It charts a geography of dreamworlds, continually reconfigured by conscious and unconscious forces. I think of this as re-mediation: using intuition and chance to infiltrate the official visual record with the feeling and logic of dreams.

 

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Exhibited: At the Edge, Shirley Fiterman Art Center, BMCC, New York, 2026.

See also: Ghosts in, where sections of the scroll are translated into paintings.

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Installation view, At the Edge, Shirley Fiterman Art Center, BMCC, New York, 2026. Shown with Untitled Times, 2016–2023, and Untitled Times, fig. 05 (flock), 2023 (left), and Carolee Schneemann, War Mop, 1983 (right). Schneemann: © 2026 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York. Courtesy Shirley Fiterman Art Center, BMCC.

Untitled Times, sec. 08 (chandeliers), newspaper and PVA glue, 24 x 45.75 inches

Above: Untitled Times, sec. 01 (33 Thomas), 24 x 52 in. Below: Untitled Times, sec. 04 (eclipse), 24 x 44 1/4 in.

Untitled Times, sec. 10 (palm trees),  newspaper and PVA glue, 24 x 14.5 inches

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